You've
marveled at imposing wrought iron gates; you've longed for that design
of a wrought iron birdcage; the weathervane on top of that barn caught
your eye. How about a beautiful iron railing gracing the flagstone staircase
to a sunken garden? Are these pieces just simply manufactured from some
ironworks factory or are they literally pieces of art, forged from a centuries-old
craft that has seemingly disappeared over the years in favour of mass
production and uniformity?
Blacksmithing began with the Iron Age
as a basal need for primitive man to turn heated rock into an implement
- the first useable tool. It is that old. Three thousand years later the
robustness of old time wrought iron work has segued to the graceful curves
of more modern designs. The traditional methods and techniques of a centuries-old
craft are still in use by today's modern masters. Heather O'Brien is one
of those masters. With hand-crafted tools copied and then forged from
middle-aged design, Heather has managed to recreate this ancient and most
prestigious art form. Her ingenious use of the ancients' tools has helped
determine the continuity of a perhaps forgotten art.
There is a look - a feel to hand-forged blacksmith works that is absent
from mass-produced metal works. The form, texture and beauty of metal
that has been crafted one piece at a time, has character. No two pieces
are exactly alike creating a finished work that is truly unique. The joy
of having your favourite pet or prized racehorse reproduced eternally
in iron to grace your fireplace or herald the entrance to the farm is
priceless. With the richness and distinction of a hand-forged, "one-of-a-kind"
table, chair or gate; there truly is a style for every taste. Heather's
work is forged out of a passion and desire to capture a portion of the
smith's inheritance. We may never know how the armorers of Medieval Europe
managed to produce their superb work but years and years of trial and
error at the anvil have educated Heather in the making and proper use
of the artisans' tools. Hand-made implements for chiseling, splitting
and grooving segue into the mastery of forge welding, riveting and collaring.
These vital forms are gaining a new-found respect for the art of blacksmithing
and elucidate the appreciation of the modern conveniences we now take
for granted.
Did I mention "a
farrier too"? Heather began her personal relationship with iron as
a farrier. The Smith has been well rememberd as a shoer of horses and
this piece of history has not been lost on Heather. Her understanding
of Blacksmithing crafts for collaring, riveting, decorative twist and
welding started by simply forging her own horse shoes. Heather didn't
just take farriering for granted. Through years of continuous apprenticing
and studying the horse's foot, she is considered one of only a handful
of farriers to have mastered the exacting art of therapeutic shoeing.
Through meticulous comparison and a thorough understanding of equine physiology,
Heather is able to formulate a solution for almost any problem foot that
a horse can come up with.
"shoes
are not neccessarily bad for horses but BAD SHOEING IS!
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